Showing posts with label Aurora. Show all posts
Showing posts with label Aurora. Show all posts

Sunday, November 29, 2009

To Detail or Not to Detail, That is the Question...




I have long fancied scratchbuilding the mighty MBT-70 Main Battle Tank under development as a joint US/German project in the late 1960s. The pre-production prototype batch demonstrated great potential, and a number of its innovations appeared in other tanks on both sides of the Atlantic, but the vehicle itself was too ambitious, too costly and too unreliable. It is a long, low, mean-looking tank with unusual features, such as a driver in a stabilised cockpit in the turret, and a secondary cannon which could be operated from within. I have long pursued research, trying to untangle the differing running gear details of the US and West German versions, and one way I tried to do this was to find Aurora’s old 1:48th scale kit on eBay, to see in three dimensions how the repetitive detailing of the unique hydropneumatic suspension system was handled.

I was somewhere between surprised and disgusted when I discovered that Aurora’s solution to all that complex detail was to ignore it. No suspension detail was offered at all, which makes the kit a somewhat expensive and rather pointless addition to my stash (joining the eBay sell-on pile…) Back to the drawing board on the MBT-70 project, but that absence of detail set me thinking.

What constitutes a necessary detail for a kit?

Knowledgeable folk will tell you that not a single truly accurate and representative F/A-18 model exists in 1:72nd scale, and that is more than likely true of just about every subject, but it must be a matter of degree. Detail appropriate to the scale is a major consideration, as the resolution of detail reproduction will make it clumsy to try to include some details when they become too small. Go to the other end of the spectrum and consider the older kits in which detail in the wheel wells, even the cockpit was considered unnecessary. In the 1970s Airfix’s 1:24th scale ‘superkits’ were something of a benchmark, but while they featured significant cockpit detail (not actually complete, it should be noted), they featured no wheel well detail at all, simply the open interior of the wing with a mechanical pivot for the gimmicky retractable landing gear.

Then there’s the odd notion of including things in the kit that aren’t there on the real thing, in the name of marketability, or having to add a detail and making a genuine mess in the process. I’m thinking of the tile pattern grid Revell added to their 1:72nd scale Space Shuttle back in the 1980s… A truly overscale raised grid to represent the actually recessed micro-fine division between the ceramic tiles of the craft’s hull… I'm sure the 1:72nd scale raised representation was actually larger than the 1:1 scale recessed reality, which goes to show what accuracy counts for compared to the young buyer's expectation that something as important as the thermal tiles must be there, whether it's visible or not. The company engraved the moulds, the same approach as raised panel lines, and just as inaccurate, though compounded by the regularity of the grid over the craft’s surface. I had that kit, bought it for a great price, but a few years later I sold it on, unopened. Why? I just could not bring myself to build a hypersonic flying machine with a rugose hull texture that would shame a rhinoceros, any more than I could see my way to laboriously removing the entire grid and rescribing it. Had Revell left well alone I might have got up the chutzpah to try scribing the grid (though I’d probably have made a mess and ended up refilling it and trying some sort of paint trick, spraying through a mesh perhaps, which I once saw done to great effect on the 1:144th scale orbiter.) As it stands, though I would love a large scale shuttle, there’s no way I’d tackle the Revell offering, even with my current skill level.

I’m not entirely sure but this beast may have been retooled to switch the grid to recessed, but it would still have been way overscale. Decal company Cutting Edge went a long way to rectifying the whole accuracy problem for Orbiters with decal versions of the heat shield areas, and accurised engines and window painting masks were also produced, way back in 2003. Check them out:


So where should a kit company draw the line between what needs to be there and what needs to not be there? My gut feeling is that if the detail is recessed, recess it, and if the detail is visible at the equivalent scale viewing distance, it should be on the model. That’s a fair yardstick, with plenty of wiggle-room, and I think the best companies are probably working around just such philosophies now. Perhaps that’s called learning from the past, standing on the shoulders of yesterday’s industry and building on not just their experiences but the consequences of their choices. Models certainly look better, right out of the box, now than they ever have before, even if they are not ‘accurate’ in the sense that purists use the term. And yes, the gentle art of ‘rivet-counting’ will be another topic!

Wednesday, September 30, 2009

The Immortal Classics: Polar Lights’ Seaview


There are always kits we remember from childhood, or kits we never knew when they were available but heard about long after. Aurora’s Seaview, from Voyage to the Bottom of the Sea, is one of those for me.

I only heard about it 15 years after the molds were lost in the neo-legendary Amtrak wreck that destroyed so many of the old classics, when it was featured as the very first instalment in the “Classic Kits” series in FineScale Modeler. I checked around to see if anyone had one and located one at Hobby Bounties in Singapore: if I remember correctly, the price was equivalent to $1000 Australian dollars in the early 1990s, the highest price I personally have ever seen on a classic kit. Needless to say, I didn’t buy it! My memory may be playing tricks, but I remember it being a three-figure sum of some sort.

Imagine my excitement when I heard several years later that Aurora-retool firm Polar Lights, in the course of recreating many of the lost classics, were resurrecting the Seaview!

I determined to have one at once, but it never happened. The kit was ‘new stock’ and thus ‘around’ and there was no urgency to buying it if dollars were tight for other reasons. In the odd way things happen, the retool has itself become a traded commodity and I recently picked one up on eBay for a good price. The precise recreation of the original is amazing, the actual box art and design from 1967, the identical plans with a few extras to denote the 2002 issue. 




Here’s a piece of history brought back to life and itself now a thoroughgoing legend in its genre, something few would have ever expected to happen, the remanufacture of a classic. Of course, there are many who would point out that in regenerating a classic product one regenerates all the shortcomings of that product. It’s the 1961 movie version of the sub, not the configuration of the series (which itself varied in detail between the 110 episodes), the detail level is sparse, and at around 13” long she’s not very big. A resin update set was made for it to build the series window configuration and the Flying Sub hangar: the AM guys will always ride to the rescue! There have of course been plenty of much larger versions produced in resin in the last decade and a half, and we now have Moebius’s ultimate kit, injection molded and nearly 40” long, for which a plethora of after market add-ons have been produced – even including complete radio control and power system to build a sea-going Seaview that will dive in your swimming pool!

Next to that, the old classic pales to insignificance, but you know what? Nobody will build the operational boat, or even the 40-inch display masterpiece, in a weekend, and have it on shelf or desk, beautifully airbrushed and weathered, by Sunday night. And there’s the fun part: there are many small scale submarine kits and this one falls right in to that range as a science fiction classic that has sailed on in the hearts of it’s fans for all 45 years since the series premiered (on September 14, 1964, at 7:30 PM, EDT, on the ABC Network, for those who like their facts - with thanks to those who keep track of such things!) So there’s room for all the versions and all the kits.  

I have only one criticism: Polar Lights molded it in black plastic. Maybe they were being true to the original, but black is very difficult to work with, and I find it rather depressing. It’s a good job she’ll be a quick build, I can get her into some nice grey primer, and relax into painting and weathering thereafter.

I finally have that Seaview I always wanted! The companion piece to the Aurora 1:64th scale Flying Sub that was reissued by Monogram in the late 1990s and which has been part of my stash ever since. And … I guess it’ll tide me over until I can assemble the big bucks to tackle the Moebius masterpiece. So keep watch and I’ll post a review when I build her.

Friday, June 19, 2009

Accuracy, Out of Inaccuracy

Aurora -- the name brings back rosey-eyed memories of many an afternoon spent with glue and paint as a child, not that I could afford many Auroras. I remember a shop that stocked them in the early 1970s, the square-box edition with those imposing paintings, their movie monsters series in particular. I bought their King Kong and was very impressed by that powerful figure. I’ve often wondered what I could do with that kit with my current techniques.
 

 But the Aurora I’m thinking of is somewhat different. It was said by a reviewer that Aurora’s aircraft were always suspect, and the older the kits the more likely they were to be suspicious as to their accuracy and fit. Aurora’s B-58 Bomber (#375) was tooled in 1958, I managed to find an unmade 1958 example (long box) on eBay, for a reasonable price (some parts had been assembled, several were painted, and they were detached from their sprues). I needed it to mold off some parts to build some SF studio replicas -- TV FX miniatures built in the 60s which used B-58 parts from this kit -- and in that much it will suit its purpose perfectly. But the kit itself is a...disaster!

It’s the wrong shape. Not one single part of it is accurate. Not the proportional sizes, not the contours. The engines are way too fat, the tailplane is all over the map, the wings are the wrong size. There are raised decal guides on the surface... How this model could have remained in production for so long is a total amazement. Revell’s and Monogram’s early offerings may not have been up to scratch by modern standards but they were rather better than this. Italeri’s #1142 is by far the best B-58 in the scale, no wonder it fetches the prices it does on eBay these days: maybe Italeri will take notice of this and reissue the kit again, as they did about five (?) years ago.
 

 Here’s a comparison, the Aurora (top) and Italeri (bottom) engines, the latter being accurate and in fact the larger scale!



 And here are the fuselages and tails, Aurora at the top, then Lindberg and Italeri at the bottom. They seem like three different aircraft.



And on the subject of scale -- the classic Aurora is always reputed to be 1:64th, but the stated scale is ‘5/32nd” (to the foot)’, which goes through the calculator thus: 12” x 1/32nd” = 384/32nds, divided by 5 = 76.8th scale. This is almost the same as Lindberg’s (somewhat better) kit, which compared to the real aircraft scales out at 1/78th, and accounts for why the parts are smaller than Italeri’s (which is a -- more accurate -- 1:72). Unless Aurora tooled a larger B-58 (as they tooled a much smaller one at 1:180th, released these days by Addar), I’m mystified at the general air of confusion surrounding this kit.
 

 Incidentally, Lindberg’s has also been deemed 1:64, which it isn’t. The stated scale is 3/16th”=1’, which calculates out at 1/64th okay, but when you measure the components and compare them to the real aircraft, it’s noticeably the smallest of the three.

Will I ever assemble the Aurora Hustler? No. But I’ll use plenty of castings from those components to build entirely accurate replicas of the science fiction craft which used its parts: therein lies actual accuracy, which, ironically, stems from inaccuracy as its basis!